What an amazing three months!
The students in "The Art of Restoration and Conservation of Paintings and Paper" workshop felt a great sense of accomplishment and pride in their progress and achievements. Completing 30 hours of lectures and hands-on training, along with the challenge of restoring five paintings and paper pieces, was both demanding and fulfilling. Many students expressed that the experience was incredibly rewarding, as they could see tangible improvements in their skills and the restored artworks. The combination of theoretical knowledge and practical application helped them gain confidence and a deeper appreciation for the art of conservation.
Similarly, two groups have completed the initial workshop on "The Art of Restoration and Conservation of Wood." This workshop trained twenty students and included six sessions per class, totaling eighteen hours of lectures and hands-on activities.
At Sanfo 101, we felt immense pride as we watched each student develop their restoration skills. As witnesses to their achievements, our mission has further developed into a commitment to recognizing and celebrating their successes, with high hopes of further helping them hone their skills in every possible way and opportunity.
Sanfo 101 congratulates all its first batch students in the paintings, paper, and wood restoration classes who have displayed exemplary talent as future conservators of this country. We are extremely honored to take part in nurturing and guiding these talented individuals. Their dedication and skill are truly inspiring, and we look forward to seeing their contributions to the field of conservation.
And now, we proudly present some of our students along with the artifacts they have meticulously restored.
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Jayson Maceo
Picture prior to restoration
A 19th-century wooden bust that survived a fire was Jason's assignment.
Picture prior to restoration
A thorough inspection of the bust is essential to ensure its integrity and authenticity.
Picture prior to restoration
Picture prior to restoration
This process typically involves examining the material, craftsmanship, and any signs of wear or damage. This meticulous approach helps in preserving the bust's historical and artistic value.
Picture prior to restoration
Picture prior to restoration
Picture prior to restoration
Restoring a wood bust involves several steps to ensure it regains its original beauty and structural integrity.
By the end of the workshop, Jayson impressively and successfully restored the beauty of this 19th-century treasure.
Cynthia Dayco
Cynthia Dayco
Observation included:
Observation included:
Cynthia worked on a Fernando Modesto painting, a 14 x 24 inch oil on wood artwork that she personally owned. Based on her initial findings, the painting has undergone several changes over time due to factors such as aging, exposure to light, and environmental conditions.
Observation included:
Observation included:
Observation included:
> Accumulated dirt
>Scratches in the upper portion of the painting
>Abrasions on the upper left and lower corners of the painting
Observation included:
After Retouching
In addition to cleaning the painting's surface, several retouching efforts were necessary. The painting exhibited scratches and abrasions on the upper and lower portions, which she meticulously and successfully repaired.
After Retouching
"Punong-Puno" by the artist Lydia Velasco
After Retouching
...a remarkable transformation. Her collection gleamed with renewed vibrancy, revealing intricate details that had been hidden under layers of grime.
"Punong-Puno" by the artist Lydia Velasco
"Punong-Puno" by the artist Lydia Velasco
"Punong-Puno" by the artist Lydia Velasco
Among the five paintings Cynthia restored is a 1999 piece measuring 21 inches by 36 inches by the esteemed artist Lydia Velasco. Over time, the painting had gathered dust, dulling the colors and developing cracks in the upper section, all of which Cynthia skillfully retouched.
"Punong-Puno" by the artist Lydia Velasco
"Punong-Puno" by the artist Lydia Velasco
Leslie Pe Go
Indeed, patience is a virtue.
Proper handling and training are required.
Proper handling and training are required.
Art restoration and conservation demand a great deal of patience, which can lead to either the success or the deterioration of the project.
Proper handling and training are required.
Proper handling and training are required.
Proper handling and training are required.
Rushed work has no place in restoration. There are specific procedures that must be observed and followed before commencing the actual restoration work.
Proper handling and training are required.
Encountering difficulty
Diligently adhering to the process should culminate in gratifying outcomes.
Encountering difficulty
Bubble wrap pieces that were removed from the painting
Encountering difficulty
For collectors, one of the most upsetting situations is to see the plastic wrap sticking to, and eventually melting onto, the surface of a painting, which compromises the overall appearance of the artwork.
Bubble wrap pieces that were removed from the painting
Bubble wrap pieces that were removed from the painting
Bubble wrap pieces that were removed from the painting
For Leslie, it was an achievement. The task of removing the plastic demanded considerable patience, but it also demonstrated impressive skills.
Bubble wrap pieces that were removed from the painting
Bubble wrap pieces that were removed from the painting
Another painting she restored as part of completing the course exhibited noticeable differences as exhibited above.
Josiah Duke Dondoyano
Engaging in continuous learning offers a significant advantage.
Engaging in continuous learning offers a significant advantage.
Engaging in continuous learning offers a significant advantage.
Josiah, a Creative Arts Specialist at the National Archives of the Philippines, prioritizes his involvement in various restoration workshops. Not only was he an outstanding student in the restoration and conservation of paintings and paper, but he also completed training in wood restoration and conservation, introduced by Sanfo 101 in May 2024.
Making a difference
Engaging in continuous learning offers a significant advantage.
Engaging in continuous learning offers a significant advantage.
Josiah's experience shows that appropriate training combined with hands-on practice can yield remarkable outcomes.
Engaging in continuous learning offers a significant advantage.
Jonnel Reyes
Restoring Paper
Visible stain on a COA
Visible stain on a COA
In Sanfo 101's restoration workshop last April, Jonnel participated in a session dedicated to paper restoration. This task is notably difficult because of the delicate nature of paper, which demands a unique combination of patience and skill.
Visible stain on a COA
Visible stain on a COA
Visible stain on a COA
Stains or foxing on materials like paper can often be inevitable, owing to a range of influencing factors. However, their removal is not an insurmountable challenge. With the correct training and procedures, stains can be meticulously eliminated, as Jonnel demonstrated with this Certificate of Authenticity.
The result was astonishing!
The result was astonishing!
The result was astonishing!
The result was astonishing!
The result was astonishing!
Erica Lim
Problem solving
Problem solving
Problem solving
As a chemist, Erica is trained to intuitively understand chemical processes. When faced with various restoration challenges, she can swiftly create the appropriate mixtures to solve the problems, using the solutions provided.
Diffficult task
Problem solving
Problem solving
One of the exercises at Sanfo 101's workshop involved paper restoration. Paper is an extremely delicate material that can quickly disintegrate or tear. The objective was to eradicate mold and diminish or remove the noticeable stains that had significantly marred the page.
Amazing results
Problem solving
Amazing results
Erica's experiments with finding the right combination of solutions have clearly demonstrated significant improvement.